- \n
- Jatorrizko izenburua: The wrong man<\/li>\n
- Zuzendaria: Alfred Hitchcock<\/li>\n
- Gidoia: Maxwell Anderson,\u00a0Angus MacPhail<\/li>\n
- Muntaia:\u00a0George Tomasini<\/span><\/li>\n
- Argazkia:\u00a0Robert Burks (blanco y negro)<\/span><\/li>\n
- Musika:\u00a0Bernard Herrmann<\/span><\/li>\n
- Aktoreak:\u00a0Henry Fonda, Vera Miles, Anthony Quayle, Harold J. Stone, Charles Cooper, John Heldabrand, Esther Minciotti, Doreen Lang, Laurinda Barrett, Norma Connolly, Nehemiah Persoff, Kippy Campbell, Robert Essen, Richard Robbins, Dayton Lummis, Peggy Webber.<\/span><\/li>\n<\/ul>\n
[\/et_pb_text][et_pb_blurb title=”EEUU” use_icon=”on” font_icon=”\ue0e3” icon_placement=”left” admin_label=”Blurb” _builder_version=”3.29.3″ animation=”off” border_style=”solid”][\/et_pb_blurb][et_pb_blurb title=”1956″ use_icon=”on” font_icon=”\ue023” icon_placement=”left” admin_label=”Blurb” _builder_version=”3.29.3″ animation=”off” border_style=”solid”][\/et_pb_blurb][et_pb_blurb title=”105 min.” use_icon=”on” font_icon=”\ue0e1” icon_placement=”left” admin_label=”Blurb” _builder_version=”3.29.3″ animation=”off” border_style=”solid”][\/et_pb_blurb][\/et_pb_column_inner][\/et_pb_row_inner][\/et_pb_column][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”section” _builder_version=”3.22″ background_color=”#000000″ transparent_background=”off” padding_mobile=”off”][et_pb_row column_structure=”1_2,1_2″ admin_label=”row” _builder_version=”3.25″ background_size=”initial” background_position=”top_left” background_repeat=”repeat”][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_image src=”https:\/\/www.zinexit.net\/wp-content\/uploads\/2019\/10\/FALSO-CULPABLE-w.jpg” show_in_lightbox=”on” align_tablet=”center” align_phone=”” align_last_edited=”on|desktop” _builder_version=”3.29.3″ animation_style=”slide” animation_direction=”left” animation_duration=”500ms” animation_intensity_slide=”10%” border_style=”solid” animation=”left” sticky=”off”][\/et_pb_image][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Text” _builder_version=”4.0.5″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” background_layout=”dark” module_alignment=”left” border_style=”solid”]Hitchcock-ek Warner-entzat zuzendu duen azken filma da, eta bere elkarlan bakarra Henry Fondarekin (hurrengo urtean aktoreak Oscar saria lortu zuen, \u201cTwelve Andry Men\u201d lanagatik).<\/p>\n
Beharbada zinemagile britainiarraren film ilunena izango da; izan ere, ez du umorerik eta akats judizial baten benetako istorioan oinarrituta dago. Bertan, gizon bat posta-bulegoan lapurtzeagatik salatu zuten enplegatuek, erratuta; gizon zintzoa, zoriontsua eta ezkondua zen, baina zenbait estutasun ekonomiko bizi zituen.<\/p>\n
Drama errealista, erdi dokumentala eta, itxuraz, ez oso \u201chitchcockianoa\u201d, suspensearen teknikatik urruntzen baita.Robert Bresson-ek eta Jean Luc Godard-ek beti miretsi izan dute eta, urteak igaro ahala, zinemagile ingelesaren obra handietako bat dela esaten da (Martin Scorsese-k gehien atsegin duen lanetako bat dela dio).<\/p>\n
\u201cMoral-ikasbidea baino gehiago da; The Wrong Man-en minutu bakoitza eszenaratzearen ikasbide bat da.(\u2026) Horregatik miresten dugu Balestrero (Fonda) auzitegietara daraman kamioi zelularra zubi eseki batetik igaro den uneko planoa, Robert Burks-ek argazki bidez hain ongi atera duena:silueta txikia, beltza, burdinazko habe erraldoien azpian dardartia, eta fantasmen herrialdera iristen den Nosferaturen orga gogora dakarrena\u201d.(Jean Luc Godard)[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ custom_padding_last_edited=”on|desktop” _builder_version=”3.22″ background_color=”#cccccc” custom_padding_tablet=”50px|0|50px|0″ custom_padding_phone=”” transparent_background=”off” padding_mobile=”off” make_fullwidth=”off” use_custom_width=”off” width_unit=”on”][et_pb_row column_structure=”1_5,1_5,3_5″ use_custom_gutter=”on” gutter_width=”2″ module_class=” et_pb_row_fullwidth” _builder_version=”3.25″ width=”94%” width_tablet=”80%” width_phone=”” width_last_edited=”on|desktop” max_width=”94%” max_width_tablet=”80%” max_width_phone=”” max_width_last_edited=”on|desktop” module_alignment=”center” make_fullwidth=”on”][et_pb_column type=”1_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”logos es” _builder_version=”3.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
Organiza:<\/a><\/p>\n
![\"gobierno-vasco\"](\"https:\/\/www.zinexit.net\/wp-content\/uploads\/2014\/09\/gobierno-vasco.png\")
<\/a>\u00a0\u00a0![\"convivencia\"](\"https:\/\/www.zinexit.net\/wp-content\/uploads\/2016\/10\/convivencia.png\")
<\/a><\/p>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”1_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Text” _builder_version=”3.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”left” use_border_color=”off” border_color=”#ffffff” border_style=”solid”]<\/p>\n
Coordina:<\/p>\n
![\"irudi-berria\"](\"https:\/\/www.zinexit.net\/wp-content\/uploads\/2014\/09\/irudi-berria.png\")
<\/a><\/p>\n[\/et_pb_text][\/et_pb_column][et_pb_column type=”3_5″ _builder_version=”3.25″ custom_padding=”|||” custom_padding__hover=”|||”][et_pb_text admin_label=”Text” _builder_version=”3.27.4″ background_size=”initial” background_position=”top_left” background_repeat=”repeat” module_alignment=”left”]<\/p>\n
Colaboradores:<\/p>\n
![\"amnesty-international\"](\"https:\/\/www.zinexit.net\/wp-content\/uploads\/2014\/09\/amnesty-international.png\")
<\/a>\u00a0 \u00a0![\"cear\"](\"https:\/\/www.zinexit.net\/wp-content\/uploads\/2014\/09\/cear.png\")
\u00a0 \u00a0<\/a>![\"Bilbao\"](\"https:\/\/www.zinexit.net\/wp-content\/uploads\/2016\/10\/bilbao.png\")
<\/a>\u00a0 \u00a0![\"golem\"](\"https:\/\/www.zinexit.net\/wp-content\/uploads\/2014\/09\/golem.png\")
<\/a>\u00a0 \u00a0![\"\"](\"https:\/\/www.zinexit.net\/wp-content\/uploads\/2018\/10\/intermon-oxfam.png\")
<\/a>\u00a0 \u00a0\u00a0 ![\"\"](\"https:\/\/www.zinexit.net\/wp-content\/uploads\/2018\/10\/save-the-children.png\")
<\/a> \u00a0\u00a0![\"\"](\"https:\/\/www.zinexit.net\/wp-content\/uploads\/2018\/10\/5w.png\")
<\/a><\/p>\n[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
FALSO CULPABLEZinexit Classic Jatorrizko izenburua: The wrong man Zuzendaria: Alfred Hitchcock Gidoia: Maxwell Anderson,\u00a0Angus MacPhail Muntaia:\u00a0George Tomasini Argazkia:\u00a0Robert Burks (blanco y negro) Musika:\u00a0Bernard Herrmann Aktoreak:\u00a0Henry Fonda, Vera Miles, Anthony Quayle, Harold J. Stone, Charles Cooper, John Heldabrand, Esther Minciotti, Doreen Lang, Laurinda Barrett, Norma Connolly, Nehemiah Persoff, Kippy Campbell, Robert Essen, Richard Robbins, Dayton Lummis, […]<\/p>\n","protected":false},"author":1,"featured_media":2289,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"project_category":[55],"project_tag":[],"class_list":["post-2325","project","type-project","status-publish","has-post-thumbnail","hentry","project_category-zinexit-2019-eu"],"_links":{"self":[{"href":"https:\/\/www.zinexit.net\/eu\/wp-json\/wp\/v2\/project\/2325","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.zinexit.net\/eu\/wp-json\/wp\/v2\/project"}],"about":[{"href":"https:\/\/www.zinexit.net\/eu\/wp-json\/wp\/v2\/types\/project"}],"author":[{"embeddable":true,"href":"https:\/\/www.zinexit.net\/eu\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.zinexit.net\/eu\/wp-json\/wp\/v2\/comments?post=2325"}],"version-history":[{"count":0,"href":"https:\/\/www.zinexit.net\/eu\/wp-json\/wp\/v2\/project\/2325\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.zinexit.net\/eu\/wp-json\/wp\/v2\/media\/2289"}],"wp:attachment":[{"href":"https:\/\/www.zinexit.net\/eu\/wp-json\/wp\/v2\/media?parent=2325"}],"wp:term":[{"taxonomy":"project_category","embeddable":true,"href":"https:\/\/www.zinexit.net\/eu\/wp-json\/wp\/v2\/project_category?post=2325"},{"taxonomy":"project_tag","embeddable":true,"href":"https:\/\/www.zinexit.net\/eu\/wp-json\/wp\/v2\/project_tag?post=2325"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
- Argazkia:\u00a0Robert Burks (blanco y negro)<\/span><\/li>\n